(dir. Marcus Nispel)
I’m a longtime fan of the Friday the 13th franchise. While the series lacks the
imagination of the Nightmare on Elm
Street series, Friday the 13th
has always been the most fun of the slasher franchises because it has never
taken itself too seriously. The films are as much comedic romps as they are
exercises in practical gore effects. The 2009 reboot is no different. Nispel’s Friday the 13th is easily the
best of the Platinum Dune reboots because it successfully captures the spirit
of the original franchise in all of its B-movie glory. The film plays of as a ‘best
of’, pulling from Jason’s 30 year film history in an act of well-executed
fan-service. Unlike other slasher film remakes from around the same time, Friday the 13th isn’t aiming
to twist or rationalize the concept. If you came to see attractive young adults
make terrible life decisions and be stalked and murdered by a hockey-mask
wearing brute then you need look no further.
The
pre-title sequence is a hell of an opener. The rest of film follows familiar
territory, but never loses its sense of fun thanks largely to an energetic cast
and menacingly effective Derek Mears as Jason. Nispel also creates some of the
best kill scenes in the series with the help of some well designed set-pieces. Friday
the 13th is a film that knows exactly what is and is all the
more successful because of it. While there is without a doubt a sameness that
runs through the franchise, and as someone who has watched all of them (yes,
even the awful Jason Takes Manhattan)
trust me when I tell you that if you’re looking to watch any of the series
after Sean S. Cunningham’s original, go with Nispel’s reboot.
Scare Factor: 3/5
Friday the 13th operates
in the vein of 80s slasher movies, so there’s more sex and blood than genuine
scares. But if slasher films are your go
to horror option this October, Friday the
13th has plenty of entertainment to offer.
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