(dir. John R. Leonetti)
*First time viewing
While
Annabelle is a main source of the evil that transpires, the film is not Child’s Play. Annabelle follows in the footsteps of The Conjuring and instead of offering up a Talking Tina scenario,
it focuses on the idea of evil attaching itself to objects. The film also takes
a few story cues and references from Rosemary’s
Baby and the background references to the Manson murders add to this. Leonetti
and screenwriter, Gary Dauberman have clearly pulled from a lot of sources and
which makes the final product somewhat familiar (though they are aware enough
to subvert expectations during key moments), but also mostly what audiences came to see anyway.
Annabelle doesn’t reach the same level
of scares as the The Conjuring and
Leonetti doesn’t have the same directorial scope or imagination as
James Wan, but the film still offers plenty to enjoy. Leonetti’s frequent use
of tight-shots creates some really effective tension when the camera pulls
back. Annabelle Wallis and Ward Horton make for likeable leads, completely selling
their characters even while they make the dumb kind of decisions horror
characters are so often known for. The ending was somewhat unsatisfying and
heavy-handed but the climatic scenes leading up to it provide some solid scares.
Scare Factor: 4/5 Annabelle offers up some satisfying scares and some familiar ones
that still manage to be entertaining. But keep your expectations in check, this
isn’t the The Conjuring 2, but a
solid horror entry in its own right. While the film never strays too far from
traditional supernatural horror conventions, it also proves there’s still fun
to be had in the familiar… and always terror to be found in dolls.
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