(dir. Lamberto Bava)
Titanus Distribuzione |
* First time viewing
Tenants of a high-rise apartment building must contend with
a horde of demons.
Demons (1985) was
one of my favorite first-time watches of last year, so I couldn’t pass up the
chance to check out Demons 2. Bava’s
sequel is amps up the set pieces by moving the stage for conflict from a movie
theater to an apartment complex. While the space is bigger, Demons 2 doesn’t have the same magic as
its predecessor. Don’t get me wrong, the film is still enjoyable, and filled
with exquisite practical effects, but it’s not as startling, ambitious, or
gorgeously shot as its predecessor. The acting, in which the voices are dubbed
over, is of course not great, but there is a certain try-hard earnestness to
them that’s enjoyable in a kitschy sort of way. The central characters for this
night of terror are a call-girl, a couple expecting a baby, an unhappy party
girl throwing her 16th birthday party, a ten-year old boy, and a
group of weight lifters. It’s the party girl who unleashes the first demon, and
much in the same way as the first film, it’s a movie that provides the doorway
through which these monsters from hell enter our world. It’s a bit nonsensical
and the film within the film aspect doesn’t work as well as the first film, but
it’s still a cool concept. From that point them film plays our much like the
first, (there’s even another group of punk teenagers speeding a car towards the
apartment, listening to hit 80s tunes, who have no bearing on the plot
whatsoever.) But it’s not the people that make Bava’s film something to marvel
at.
Demons 2 may be a
bit less gory than the first film, but in terms of practical gore standards,
this film is still a high mark. The initial transformation of party girl,
Sally, is exquisite. Fangs push out of her gums, shoving her teeth out of her
mouth as blood streaked runnels make their way down her face. Another scene
sees a Gremlins-esque mini demon claw
its way out of its victim’s abdomen and wreak havoc on a couple. This film plays
looser with the rules than the first film did, but it does allow for some really
cleverly executed set pieces, including a great one that takes place in
elevator shaft, and some gory finishes. Special effects artist, Sergio
Stivaletti is once again the true hero of this film, and the visages of these
demons still stand as some of horror’s best and most creative works.
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