(dir. Nick Murphy)
StudioCanal UK |
*First-time viewing
Welcome back horror fiends and Halloween friends to year 4
of 31 Days of Horror! Continuing the format from last year, I’ll be alternating
between a week of 21st century horror movies and a week of pre-2000s
horror and mixing it up with first-viewing and revisiting old favorites. First
up, a post-WWI ghost story set in England.
In 1921, Florence Cathcart, a Hoax Exposer, supernatural
nonbeliever, and atheist, is hired explain the mysterious circumstances
surrounding the death of a child at a boarding school. Claims of ghost
sightings by the boys, and mysterious behavior from the faculty awakens
Florence to a tragic truth.
The Awakening
fulfills all expectations of period-set British horror. With an impressive cast
of British talents (Rebecca Hall, Dominic West, Imelda Staunton, and Isaac
Hempstead Wright) roaming an old manor on the English countryside, Murphy’s
film perfectly sets the tone for the Halloween season. All the gray tones, and
damp dreariness sink right into your bones, creating a chilly viewing experience
from the onset. The post-WWI setting gives the film a unique perspective. There’s
an inescapable sense of grief that permeates the film, punctuated by the
orphans, widows, and childless parents that populate the film. Every character
in the film is dealing with their own version of PTSD, ghosts equally as frightening
as the visage of the disfigured boy who walks the halls of the manor.
In classic British fashion The Awakening really takes the time to cement these characters for
the audience, placing characterization above shock value. This ultimately gives
the scares greater impact because we feel like we know these characters on a nearly novelistic level. And because of that, we also know how their fragile states will be affected by the appearance of the
supernatural. Rebecca Hall’s Florence is fascinating in her convictions, but
becomes even more so when those convictions begin to crack and she is forced to
look at who she is and why she has chosen this life of a nonbeliever. While the
character work is certainly what makes The
Awakening a standout, there’s a scene involving a dollhouse that could sit
beside the clapping-game scene from The Conjuring as one of this decade’s most frightening
moments.
Scare Factor: 3/5
The Awakening is a haunting experience,
driven by the emotional vulnerability of its characters, and perfect for those
looking for a new ghost story to start off their holiday season. The Awakening would also make quite the
triple feature alongside The Others and The Orphanage.
*Available to watch on Netflix Instant.
We're on opposite sides of this one. It didn't do anything for me. My biggest issue is that I never got the sense Florence was in any real danger until all of a sudden, at the end, when she clearly was.
ReplyDelete