(dir. Xavier Gens)
EuropaCorp |
* First time viewing
In midst of a political upheaval, a group of Paris thieves
are held hostage and tortured by Neo-Nazis looking to create the master race.
Frontier(s) is
fucking gnarly. That’s really the only way I can put it. It actually may be the
goriest movie I’ve seen save for Martyrs.
And I’m not talking clearly over-the-top Tarantino-style fun, I mean full-on
“I’ve got to look away for a moment” blood and pain. Gens delivers calculated
and unrestrained cruelty. While I straight up love practical gore effects, I’m
not a big fan of the torture-porn subgenre of horror, which leaves me feeling a
little mixed about Gens’ film. The political ‘out of the fire and into the
frying pan’ backdrop of the film elevates the material beyond standard maiming
and mutilation fare, and but watching a group of backwoods neo-nazis repeatedly
torture their victims in new ways isn’t all that interesting after the first
hour or so. There’s certainly meaning to the madness, but the film never quite
manages to balance the two, preferring dismemberment over right-wing
extremism—though perhaps the film is suggesting that the two are more linked
than we may originally think.
What is
consistently interesting, and ultimately my reason for giving the film at least
one thumb up, is Karnia Testa’s performance as thief and expectant-mother
Yasmine and that character’s arc in the film. Once the tables are turned and
she goes from a place of victimization to vengeance, Frontier(s) becomes a lot more compelling and involving. For the
climax alone, I’d watch the entirety of the film again. Despite some of my
qualms with the film, I appreciate that Frontier(s)
is a solid example of the diversity within the horror genre, it simply may not
be for everyone.
Scare Factor: 5/5 If we’re talking stomach-churning scares
in terms of gore, then Frontier(s)
gets full marks. Seriously, the Saw
franchise has got nothing on this, so if blood, guts and severed Achilles
tendons are your thing, then Frontier(s)
is a must see.
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