(dir. Lamberto Bava)
DACFILM Rome |
*First time viewing
After being invited to a secret screening, a group of
moviegoers are trapped in a theater full of demons.
Sometimes you encounter a movie that just feels like it was
made for you, this is how I feel about Demons.
Bava’s stylish horror film is a fountain of pure goodness of the very likes
that made me fall in love with the genre in the first place. Thematically,
there’s nothing to this film, but on a pure visceral level, Demons is a film for the horror heart,
despite its severed relationship to the head. Produced and co-written by Dario
Argento, Demons shares a lot with his
style, be it in terms of the lighting, the singular setting of horror, and the
story that almost kind of makes sense, but not quite. But Lamberto Bava, son of
the famed giallo director Mario Bava, gives the film a modern touch that isn’t
so out of sync with its American horror contemporaries; it just happens to be
more stylish and seemingly less fearful of censors. Set to a catalog of 80s
music from the likes of Billy Idol, Motley Crue, and Rick Springfield, and
others, Demons has an energetic music video vibe
that could be considered hip if it wasn’t for the laughable dubbing of the
cast. While Italian horror films can sometimes be a bit plodding as they build to a tremendous climax, Demons is consistently entertaining and full of a high-energy that seems impossible for it to top, and yet it always does.
At its heart, Demons is
a siege movie that feels like a love letter to the genre. The movie theater
setting allows Bava to play with the genre’s tropes through the film within the
film, as well as create a horror movie that feels like it’s taking place on a
grand thematic stage. In terms of plot construction, Demons doesn’t differ from most other siege movies. You could
replace demons with zombies and have the same effect, particularly given that a
bite, scratch, or transference of fluid from a demon turns a human into one.
But the filmmaking is what makes Demons stand out. Every transformation is
given its due, and every kill scene is a unique depiction of gore that’s
surprisingly realistic and gruesome for its time. There’s an artfulness to the
way Bava handles the horror, and each shot is thing of beauty but also fan-
service. By the time one of our lead characters is using a motorbike and sword to
cut down demons, it’s clear that Bava, like so many of us, is just another kid
raised on horror, finally given the chance to have the time of his life.
Scare Factor: 2/5
Demons features some of the best
looking creatures of this particular subgenre as well as some wonderfully
imaginative and gory transformations, and kill scenes. It’s silly in parts, but
it’s so wonderfully outrageous that it’s hard not to love its good parts as equally
as the bad. I may make this a yearly viewing, so give it a watch and join me for it next year!
**Available to watch on Hulu.
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